| |
| |
《維也納之聲》—2017北京新年音樂(lè)會(huì) |
|
| |
時(shí)間：2016.10.28 作者：蜂巢劇場(chǎng)網(wǎng)站管理員 點(diǎn)擊：813次 |
|
| |
演出介紹
《維也納之聲》—2017北京新年音樂(lè)會(huì)震撼來(lái)襲
Sound of Vienna—New Year Concert’ 2017 is embarking Beijing in shocking wave
1992年的第一天，在中國(guó)開(kāi)啟了新年音樂(lè)會(huì)的先河。從那天開(kāi)始，辭舊迎新不再僅僅意味著花燈、廟會(huì)、走親訪友，帝都人民似乎為新的一年找到了一種更加優(yōu)雅且生機(jī)盎然的開(kāi)啟方式。
二十多年來(lái)，各類新年音樂(lè)會(huì)如雨后春筍般涌現(xiàn)，令人目不暇接，人們?cè)诒閲L各類音樂(lè)大餐的同時(shí)，日益追求新鮮但不失純正血統(tǒng)的選擇。新年交響音樂(lè)會(huì)的傳統(tǒng)來(lái)自維也納，作為西方舶來(lái)品，世界音樂(lè)之都——維也納的施特勞斯愛(ài)愛(ài)樂(lè)樂(lè)團(tuán)總是格外亮眼，他們以精湛的音樂(lè)技巧、深厚的文化底蘊(yùn)、原汁原味的古典音樂(lè)氣質(zhì)受到無(wú)數(shù)樂(lè)迷的青睞。該團(tuán)成立于1843年，自誕生之日起在奧地利這一極富文化營(yíng)養(yǎng)的音樂(lè)土壤中迅速成長(zhǎng)，集結(jié)了百余名專業(yè)音樂(lè)精英。他們植根于古典傳統(tǒng)音樂(lè)，對(duì)激進(jìn)的現(xiàn)代作品也有獨(dú)到見(jiàn)解；他們立足世界樂(lè)壇之巔，仍樂(lè)忠于面對(duì)大眾的音樂(lè)普及；他們堅(jiān)守音樂(lè)本真的聽(tīng)覺(jué)表現(xiàn)力第一，同時(shí)在舞臺(tái)表演化上也取得了非凡成就。連續(xù)訪華演出數(shù)年，每次亮相都帶給新老樂(lè)迷無(wú)數(shù)驚喜。
1992 saw the beginning of New Year concerts in China. Since then, people in Beijing are used to
celebrating New Year in festive orchestral atmosphere with Strauss music.
For over 20 years, Chinese people have seen new-year-concert playing orchestras from all over the world. But due to the deep impact of the annual new
year concerts from concert-verein Vienna which is live broadcast worldwide and played by the most prestigious Vienna
Philharmonic Orchestra, Chinese people revere and appreciate orchestras from Vienna or
from other parts of Austria. The Austrian Strauss Legacy Philharmonic Orchestra is a prominent
Austrian orchestra appreciated by classical music fans around the world for their outstanding
technique, deep cultural legacy, and original Austrian-style interpretation. This orchestra was established in 1843 and accumulated more than 100
top musicians. They have deep understanding of classical music while exploring modern
compositions, playing both traditional and popular repertoire. They visited China several times
before and always brought something new to Chinese audience.
奧地利施特勞斯愛(ài)樂(lè)樂(lè)團(tuán)介紹
Austrian Strauss Legacy Philharmony Orchestra Introduction
奧地利施特勞斯愛(ài)樂(lè)樂(lè)團(tuán)是一支具有輝煌歷史，享有盛譽(yù)的國(guó)際性音樂(lè)團(tuán)體，成立多年來(lái)，在奧地利這塊極富文化營(yíng)養(yǎng)的音樂(lè)土壤中，迅速成長(zhǎng)壯大，豐富世界音樂(lè)文化生命，是一個(gè)集合了近百名專業(yè)音樂(lè)精英的杰出交響樂(lè)團(tuán)。杰出藝術(shù)家同臺(tái)獻(xiàn)藝，引發(fā)聽(tīng)眾的思維，觸動(dòng)樂(lè)迷的心靈。
為紀(jì)念和傳承奧地利偉大的作曲家施特勞斯的音樂(lè)遺產(chǎn)，施特勞斯家族——自1843年起便擁有一個(gè)自己的樂(lè)團(tuán)，在從維也納乃至全球的輝煌巡回演出中，一直堅(jiān)守職責(zé)為施特勞斯家族服務(wù)。
Austrian Strauss Legacy Philharmony Orchestra is an international music group with a long history. It
prospered for years in Austria and grew into an outstanding orchestra with about one hundred professional musicians.
To memorize and inherit the music legacy of great Austrian composer Strauss, the Strauss family, which have
owned an orchestra since 1843, stick to their roles of serving by performing from Vienna to the whole world.
奧地利施特勞斯愛(ài)樂(lè)樂(lè)團(tuán)自成立以來(lái)，在世界各地進(jìn)行了非凡的千余場(chǎng)演出，并取得巨大的成功。樂(lè)團(tuán)得以在藝術(shù)上有更大的發(fā)展，向世界舞臺(tái)邁進(jìn)，并將高水平的演出帶給廣大市民，讓更多人接觸到古典音樂(lè)。并提供免費(fèi)音樂(lè)會(huì)及各項(xiàng)教育活動(dòng)。嘗試踏出純古典音樂(lè)的范疇，每年均邀請(qǐng)著名的音樂(lè)家同臺(tái)合作演出，以吸引更多年青觀眾接觸古典音樂(lè)。
他們?cè)跂|京的新年音樂(lè)會(huì)（大阪音樂(lè)廳）以及在西班牙、葡萄牙、意大利、美國(guó)（紐約、華盛頓、洛杉磯和芝加哥）、南美、中國(guó)等各地的演出都受到了特別的關(guān)注。他們幾乎走遍了歐洲各國(guó)。和傳統(tǒng)意義上的交響樂(lè)團(tuán)不同，樂(lè)團(tuán)不但能演奏古典、傳統(tǒng)的音樂(lè)作品，而且對(duì)激進(jìn)的現(xiàn)代作品也有獨(dú)到的解釋。將器樂(lè)、人聲的和諧演奏，向舞臺(tái)化表演的方向發(fā)展。滿足當(dāng)代觀眾對(duì)音樂(lè)會(huì)的觀賞要求。
Since the beginning, Austrian Strauss Legacy Philharmony Orchestra has achieved huge success performing
thousands of concerts all over the world, bringing high-standard performance to more people and providing free concerts and varieties of educational events.
They also tried to step out of classical genre and invited famous musicians to perform every year.
The orchestra received extra attention when performing in Tokyo, Spain, Portugal, Italy, North America
(New York, Washington, Los Angeles and Chicago), South America and China. They have been around
the Europe. Different as traditional orchestra, this one can not only play classical music, but also progressive
modern pieces.
樂(lè)團(tuán)非常重視和其他國(guó)家的文化、音樂(lè)交流。和歐盟國(guó)家的音樂(lè)團(tuán)體有著良好的合作關(guān)系，樂(lè)團(tuán)擁有自己的獨(dú)奏家，舉辦音樂(lè)大師班，將沉悶在象牙塔里的古典音樂(lè)，以自己特有的活潑形式介紹給大眾，此外，樂(lè)團(tuán)還舉辦慈善募捐義演，展示了人類美好的精神世界。
該團(tuán)曾三次來(lái)到中國(guó)進(jìn)行巡回演出，在北京人民大會(huì)堂、上海大劇院、上海東方藝術(shù)中心、福州大劇院、哈爾濱音樂(lè)廳、溫州大劇院、常州大劇院以及太原、廈門、深圳、大連、長(zhǎng)春、鄭州、蘭州等地共演出數(shù)十場(chǎng)，所到之處，都受到觀眾的熱烈歡迎。各地媒體都以大幅報(bào)道盛贊樂(lè)團(tuán)的演出。
The orchestra pay a lot attention to different culture in other counties. They have good collaboration
connections with EU countries, have their own soloists, and hold master classes, trying to introduce
classical music to the public. They also hold Charity fund concerts for the public goods.
The orchestra has been in China for three times for performances. They have been playing in many
places like Great Hall of the People in Beijing, Shanghai Grand Theater, Shanghai Oriental Arts Center,
Fuzhou Grand Theater, Haerbin Music Hall, Wenzhou Grand Theater, Changzhou Grand Theater and
other cities in China. They received huge welcome everywhere.
圓舞曲之王——約翰 施特勞斯
奧地利著名作曲家、指揮家約翰、施特勞斯和他的父親同名,人們稱其父為老約翰·施特勞斯,他被譽(yù)為“圓舞曲之父”。1844年,當(dāng)約翰·施特勞斯第一次演出自己的作品《寓意短詩(shī)圓舞曲》時(shí),在人們“再來(lái)一個(gè)”的喝采聲中竟連續(xù)重奏了十九遍。據(jù)說(shuō),第二天維也納的一家報(bào)紙寫(xiě)到:晚上好!老施特勞斯,早上好!年輕的施特勞斯。意思是說(shuō):“在圓舞曲的領(lǐng)域內(nèi),年輕的施特勞斯的時(shí)代到來(lái)了”。施特勞斯一生創(chuàng)作了大約八百首以上的作品,包括一百七十首圓舞曲、一百四十一首波爾卡、六十九首方陣舞曲、四十七首進(jìn)行曲等。代表作有:圓舞曲《藍(lán)色多瑙河畔》(被譽(yù)為奧地利的“第二國(guó)歌”)、《藝術(shù)家的生涯》、《春之聲》、《南國(guó)玫瑰》、《皇帝》等。此外,他還創(chuàng)作了十六部輕歌劇,其中以《蝙蝠》和《吉卜賽男爵》最為著名。特別是這首《藍(lán)色多瑙河》,圓舞曲在初次上演數(shù)月后就已成為施特勞斯作品中最動(dòng)人心弦的樂(lè)章,而且成了維也納的音樂(lè)象征。出版商施皮納不得不印劇成千上萬(wàn)份樂(lè)譜發(fā)往世界各地。一塊銅版能印刷一萬(wàn)張紙,據(jù)說(shuō)施皮納耗用了一百塊銅版。以明朗舒展的旋律著稱的約翰·施特勞斯以維也納圓舞曲對(duì)后世的專業(yè)音樂(lè)起了極大影響。約翰·施特勞斯被稱為:“圓舞曲之王”。
King of the Waltz -- John Strauss
The famous Austrian composer, conductor John Strauss and his father share the same name. His father
was called Senior John Strauss. He was known as the "Father of the Waltz".In 1844, when John Strauss
first performed his own works, "Meaning Short Poem Waltz",in crowd’s encore cheers he played nineteen
times more. It is said that next day a newspaper in Vienna wrote: “Good evening old Strauss, good morning
young Strauss!” Meaning in the Waltz field, the young Strauss era has arrived. During his whole life Strauss
wrote about more than eight hundred works, including one hundred seventy waltz, one hundred forty-one polka, sixty-nine square dance, forty-seven marches. Famous works are: Waltz "Blue Danube River" (known as Austria
|
|
| |
|
